Netflix Hollywood Movie 365 Days Summary and Reviews


Movie on Netflix 365 Days Hollywood Movie Details and Reviews

“365 Days” is a 2020 erotic romantic drama film that was released on Netflix. The film, which was directed by Barbara Bia?ow?s and Tomasz Mandes, is based on the first novel of a trilogy by Polish author Blanka Lipi?ska.

365 Days Hollywood Movie Summary

The film follows the story of Massimo, a Sicilian mafia boss who kidnaps a young Polish woman named Laura during a vacation in Italy. Massimo gives Laura 365 days to fall in love with him and stay with him forever. The film features explicit sexual content and has been both praised for its eroticism and criticized for its depiction of sexual violence.

The film stars Michele Morrone as Massimo and Anna-Maria Sieklucka as Laura. Despite mixed reviews, the film was a commercial success and has spawned a sequel, “365 Days: This Time It’s Personal,” which is set to be released in 2022.

Hollywood Movie 365 Days Reviews

The reviews for “365 Days” have been mixed, with some viewers and critics praising the film for its eroticism and others criticizing it for its portrayal of sexual violence and lack of consent.

On Rotten Tomatoes, the film has a 0% approval rating from critics, but a 31% audience score, indicating a divide between critical and popular reception. Some viewers have praised the film’s passionate love story and steamy sex scenes, while others have criticized it for romanticizing Stockholm Syndrome and normalizing abusive behavior.

Many critics have noted that the film’s plot is similar to the “Fifty Shades of Grey” franchise, but with a more explicit and sometimes disturbing depiction of sexuality and violence. Some have also criticized the film’s portrayal of Italian and Polish culture as stereotypical and simplistic.

Overall, the film has generated a lot of controversy and discussion, with some viewers enjoying it for its escapist fantasy and others finding it problematic and harmful. As with any film or TV show, opinions on “365 Days” are subjective, and it’s up to each individual viewer to decide whether or not they want to watch it.